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I read a short book of Paul Strand
once. Much like his photography, “Manhatta” is very straightforward; it’s just
imagery of New York City. Yet I really enjoyed this video of Paul Strand
because it really captured the industrial liveliness of New York during the
1920s. It’s like a moving portrait. Seeing rough clips of cars, people, and
landscapes in motion is very poetic in a sense, because you start to see a
pattern over time. It’s expressive.
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I liked the abstractness of Takeshi
Murata’s “Silver”. What he did in this
video was take an old movie and manipulate it so you can see the pixels up
close. At first when I didn’t know what I was watching, but I couldn’t take my
eyes off the screen anyway. This video is very open to interpretation. It seems
more like a feeling since there isn’t much a narrative. The music plays a huge
part in this.
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I think it’s very hard to create a
visual representation of the term, “atman”. So I think Matsumoto’s attempt at
such deserves some credit (or a place on my list). It’s very colorful and
hypnotizing. I keep wondering what the guy in the mask is going to do. He
mostly just stares at you in the most saturated colors ever.
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This is an animation that starts with
the assassination of president Abraham Lincoln and then the assassination of
John F. Kennedy. It then is supposed to go into a loop, so all you’re seeing is
Abraham Lincoln and John F. Kennedy dying over and over. I’m actually not sure
what I’m supposed to feel about that, but I like this nonetheless. Obviously
there has to be some sort of connection between the two presidents and their
famous public deaths. I’m not sure how this is supposed to relate to the title
“lightness of being”
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Much like Paul Strand’s “Manhatta”, I
enjoyed this video because the straightforward representation of a factory
workplace becomes like a moving portrait. You get to see people working at the
machines and stare at the camera. Since the film’s title is called “Utopia”, I
suppose Fei is trying to be ironic because the people aren’t happy or sad. They
just seem to accept the living conditions they’re in and make due with what
they have. It gives an insight to capitalism.
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In this video this guy simply
reminisces about his past political activities inside the room he’s currently
in that is vacant. The main focus of the video is the man and the room. Yet
when he talks about the past, it makes you visualize or imagine all the strange
things that might’ve once taken place in the room. I think the point of the
video has to do with change and the passing of time. You just want to let him
finish his story.
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I like Takeshi Murakami’s “Superflat”
animation. He takes the artistic style of anime and turns it into more than
just a style but an art form that could be taken seriously. Just as he’s trying
to advertise Louis Vuitton, he gives the notion that anime is a super powerful
art form, and in many ways it is. I also think the animation is fun in general.
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I’m a fan of Fred Astaire and I think
dance can definitely be viewed as a visual poem. Here, Astaire uses camera
tricks to better his dance scene. That requires a sort of skill. He’s very much
an artist.
9. Hart Broudy "When I was Young One Summer" http://ubumexico.centro.org.mx/text/vp/boudy_when_i_was_young_one_summer_1972.pdf
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I really enjoy this illustration,
it’s very much like a visual poem. It’s very basic but fun. It’s also super
cute.
Takeshi Murakami’s Inochi- Inochi is just super bizarre. I’m not sure what else to make of it. It’s supposed to be very humorous and creepy at the same time. I really like it.
Takeshi Murakami’s Inochi- Inochi is just super bizarre. I’m not sure what else to make of it. It’s supposed to be very humorous and creepy at the same time. I really like it.
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